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No. 4 (2018)

Special Issue - Advances in Cyprian Norwid Studies

Published: 2018-12-30

Special Issue - vol. 4

ARTYKUŁ WSTĘPNY

Introducion

Tomasz Korpysz

2018-12-30

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SZKICE - ROZPRAWY - INTERPRETACJE

DEATH IN FORUM BOARIUM; SOME REMARKS ON CANTO XXIV OF NORWID’S QUIDAM

Piotr Chlebowski

https://doi.org/10.21697/cl.2018.2.1

2018-12-30

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Medieval Inspirations in Cyprian Norwid’s Poetry

Grażyna Halkiewicz-Sojak

https://doi.org/10.21697/cl.2018.2.2

2018-12-30

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JULIUSZ WIKTOR GOMULICKI—A NORWID SCHOLAR

Tomasz Korpysz

https://doi.org/10.21697/cl.2018.2.3

2018-12-30

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What Do We Know About Norwid’s Lyric Poetry? Some Remarks on the Ways of Reading Norwid

Bernadetta Kuczera-Chachulska

https://doi.org/10.21697/cl.2018.2.4

2018-12-30

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Norwid’s Italy as a Whole (Problems of Theological Aesthetics)

Bernadetta Kuczera-Chachulska

https://doi.org/10.21697/cl.2018.2.5

2018-12-30

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Norwid's Visual Metaphors on the Example of “Fortepian Szopena” (“Chopin’s Pianoforte”)

Łukasz Niewczas

https://doi.org/10.21697/cl.2018.2.6

2018-12-30

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NORWID AND MODERNITY (A PERSPECTIVE OF SUBJECTIVITY)

Sławomir Rzepczyński

https://doi.org/10.21697/cl.2018.2.7

2018-12-30

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Norwid’s Tears. On Lyricism and Rhetoric

Agata Seweryn

https://doi.org/10.21697/cl.2018.2.8

2018-12-30

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“I Glanced into the Nether-World.” Some Remarks on the Tradition of Conversations with the Dead in the Writings of Cyprian Norwid

Agata Seweryn

https://doi.org/10.21697/cl.2018.2.9

2018-12-30

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“SLEEPING WITH THE EPIC POEM”: POSSIBILITIES OF RESEARCH ON NORWID'S EROTIC IMAGINATION

Dariusz Seweryn

https://doi.org/10.21697/cl.2018.2.10

2018-12-30

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Polyphony in Dostoevsky’s Novels and the Multiplicity of Voices in Norwid’s Poetry

Ewangelina Skalińska

https://doi.org/10.21697/cl.2018.2.11

2018-12-30

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MALCZEWSKI'S KOCHANOWSKI AND NORWID'S KOCHANOWSKI

Ewangelina Skalińska

https://doi.org/10.21697/cl.2018.2.12

2018-12-30

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Norwid and Contemporary Poetry: A Stylistic Sketch

Teresa Skubalanka

https://doi.org/10.21697/cl.2018.2.13

2018-12-30

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NORWID’S CONCEPT OF LITERARY ORIGINALITY FROM THE PERSPECTIVE OF THE HISTORY OF POETICS

Marek Stanisz

https://doi.org/10.21697/cl.2018.2.14

2018-12-30

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Why did Cyprian Norwid tear the memorial drawing from Egypt he had received from Juliusz Słowacki? On the Private Nature of Czarne kwiaty (Black Flowers)

Ewa Szczeglacka-Pawłowska

2018-12-30

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“Człowieka (teraz), o Muzo, wypowiedz” (“Of Man [now], Muse, sing” . An Attempt to Recognize The Artistic Shape of Norwid’s Drama Kleopatra i Cezar (Cleopatra and Caesar)

Joanna Trzcionka

https://doi.org/10.21697/cl.2018.2.16

2018-12-30

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“Conversations are Monologues” Lyricism in Pierścień Wielkiej Damy (“A Ring of a Great Lady”) by Cyprian Norwid

Joanna Trzcionka

https://doi.org/10.21697/cl.2018.2.17

2018-12-30

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